FAIRYTALE OF NEW YORK by THE POGUES AND KIRSTY MACOLL. Story by Smokie Dawson.
In our house Christmas Day does not officially commence until the air is filled with the opening bars of the greatest Christmas song of all.
In our house Christmas Day does not officially commence until the air is filled with the opening bars of the greatest Christmas song of all.
Craig Kirchner reflects on romance, elopement, honeymoon and when life goes awry.
I take off and pedal cross the road. The waa-waa synth-like drop begins, and the drums kick in as I, too, drop onto the Merri Creek path, a petite valley sectioning the northern suburbs of Melbourne.
Michael Leach joins the dots between Elvis, Memphis, Marc Cohn and Florence Welch. And teacups.
The Heartbreak Hotel was a real gem, with kitschy Elvis memorabilia, framed photographs of all sizes and a pink plush telephone so fluffy I expected it to purr.
I watch the funeral on my own, in bed, after recording it. I don’t want to watch it in real time with others around me, the people who don’t understand, who tell me I'm being silly.
"Her playing underpins the feeling of every song she plays on. How did we exist so many years without her beautiful cello playing?”
The blue star light went to my room, the Pokémon poster and books went to my sister, and the guitar went to a corner in the living room, where everyone fights the urge to strum it when they walk past. What are we if not pieces of our older sibling, broken off and handed to us as they grow?
Craig Kirchner takes us to the drug store corner of his teenage years in Baltimore.
Here's a preview of one of the songs we'll be performing at Tempo Rubato in Brunswick on Saturday 30 November.