LIKE A ROLLING STONE by BOB DYLAN. Poem by Craig Kirchner.
We sold our place needed the cash to eat./We were lucky on the street...
STRETCHED ON YOUR GRAVE by SINEAD O’CONNOR. Intro and poem by Maureen Alsop.
Suddenly you're in deep water or being pressured out to some cove by a rogue current.
FORTY MILES OF BAD ROAD by DUANE EDDY. Story by David Oke.
Learning some musical tricks from these masters means the jam becomes a living history lesson.
WATERFALL by HEATH KING/FLOW (and MEMPHIS by THE BADLOVES). Story by Martina Medica.
I blink - and the Badloves disappear. Instead, on the stage, I see a ghost. Not Elvis, no. But a King nonetheless. Heath King.
TONIGHT WILL BE FINE by LEONARD COHEN. Story by Luke Davies.
Listening to most music has been so much harder for me since the stroke and I had not been keen on revisiting older recordings and demos of ideas stashed away on various hard drives.
SPICKS AND SPECKS by THE BEE GEES. Story by Tina Hocking.
The guest-house proprietors were an odd, mismatched couple, in their fifties, I’d guess – he, short, understated, a little creepy; she, a tall matronly type, usually sporting a well-practised smile.
BAGS by CLAIRO. Story by Jennifer Manoogian.
My name sounds different when she says it, and often, I ignore her the first time so I can hear her call it again.
CENTRE STAGE Alan Davies
Alan Davies works steadfastly behind the scenes to help others shine. We are blessed to have him on the team.
THE TIMES THEY ARE A-CHANGING by BOB DYLAN. Poem by Craig Kirchner.
Ocean City, 1968. It was a story told often afterwards,/told to the kids as a classic...
ALL I WANNA DO by SHERYL CROW. Story by Marcelo Medone.
Moira smiles shyly, hypnotising me from across the table with her catlike green eyes.