STAY WITH ME TILL DAWN by JUDIE TZUKE. Memoir by Sue Dann
A conversation. A connection. A phone call. A visit. More chat.
SONNET 33 1/3 by Drew Pisarra.
And though not the worst/ part of our on-again off-again ways,/ the latest loss of you stings me anew
ALMOST A MIRROR by Kirsten Krauth. Book review by Jane Leonard
Reading Almost a Mirror is like listening with anticipation to a new mix tape painstakingly compiled by a friend.
THE GAMBLER by KENNY ROGERS. Story by Angela Savage
Over the years, while my mother’s faith in Christianity declined, her belief in country music only increased.
SONNET 45. Poem by Drew Pisarra
and the singer goes yeah babe yeah yeah yeah/ then electric guitar wangs wah wah funk
DON’T LOOK BACK IN ANGER by OASIS. Story by N.T. McQueen.
When the plodding piano intro of Don’t Look Back In Anger came through the speakers Oasis’ extraordinary had transformed our ordinary and the truck no longer drove but soared on the melody.
STARBOY by THE WEEKND. Story by Cher Finver
Our mutual love of The Weeknd brought me just a little bit closer to my daughter. So, thanks, Abel Tesfaye. I’m pretty sure I am The Weeknd’s oldest fan. I wear the title proudly.
UNDER THE MILKY WAY. Story by Jim Landwehr
During our correspondence in 1988, the Church’s Starfish LP came out. We both fell in love with it immediately, especially the song, Under The Milky Way.
The Centre Stage collection
The Centre Stage collection here at Stereo Stories is a series of short profiles of the writers and musicians who have been central to the creation and development of, firstly, this website and then of our concerts.
KNOWING THE ROPES by MICHAEL NYMAN. Story by Peter Kenneally
Even the woman in Gaslight Records had taken one look at me and seen right through it when I extended my lay-by for the fourth time.