RED RIGHT HAND by NICK CAVE and THE BAD SEEDS. Reflection by Rijn Collins.
In a forest village in Finland on a month-long writing residency, I wandered into a bar with a strange vibe and staring men.
In a forest village in Finland on a month-long writing residency, I wandered into a bar with a strange vibe and staring men.
A few seconds pass. His gaze goes behind the counter. To a small ornate wooden frame. And an image inside. “Is that Mary?” “No. It’s Jesus. It’s a da Vinci. From a museum in Amsterdam.”
The spindly showman/Shuffled on stage/Dressed as black as night
Photo by Eric Algra. Geelong Library 2016. Rijn Collins was part of our very first show, at the Williamstown Literary Festival in 2014. But she wasn't there. Laryngitis. A croaky, very croaky, voice rang to apologise. The band, and a fill-in narrator, performed her very dry, very funny travel story about Jackson by [...]
He is a Kylie tragic, and the CD that’s playing in the car is a compilation.
As we walked to the frozen yoghurt shop we saw a tall slim guy and two happy teenagers with him, walking towards us. I thought, I know him. Something in his body language. I was sure I’d seen him before.
Stereo Stories' first concert for 2017 was a 90-minute show at The Stage Door Studio, an intimate performance space tucked away in a corner of the Wangaratta Showgrounds. The night kicked off with the starkness of State Trooper and finished with a rousing blues jam.
Rijn Collins Berlin, August 2013My head against a train window, I watch Berlin slide by and listen to Nick Cave and the Bad Seeds.