THE REAL THING by RUSSELL MORRIS Story by David Oke
The images were blurry but I witnessed a momentous event in human history and I’ll never forget it.
The images were blurry but I witnessed a momentous event in human history and I’ll never forget it.
It’s a raucous, shambolic, ranting wreck of a song, which ends with a well-oiled Leonard chanting.
Beyond the petty squabbles of bygone nobles is a familiar thread of my own time. These words feel like the same complaint of the silent, angry and polarized masses.
Karaoke? Disco? I hate karaoke and disco about as much I hate, well, The Eurythmics. (Did I mention that I hate The Eurythmics?)
I was led into the song by Dolly's beautiful, beguiling, tender, fragile, wistful and melodious voice.
Dr G listens as Bruce purrs the first track of Western Stars, the album that came out just a few weeks ago. “This would be perfect for someone learning English!”
I felt uneasy, like the world I knew at 11 was broken, and 17 transformed kisses into wounds.
Sweet dreams are made of this: an appreciative audience of 450 people listening, crying, laughing, singing along.
I don’t buy the album after the gig at the merch desk because I’m still holding onto the memory of hearing Chasing Van, of savouring it, of treasuring it. I don’t want to make a commercial transaction. Yet.
Carpenter became a recluse: first painting houses, then studying to become a Buddhist monk. He drifted between cities during those lost years, buffeted by unknown storms.