WEREWOLVES OF LONDON by WARREN ZEVON. Story by Vin Maskell.
I’m hoping there are no latecomers, no stragglers, because I want to hear as much of this song as I can. The chorus, though, catches me off-guard.
CENTRE STAGE Chris Phillips
Chris Phillips had a secret motive when she wrote her Stereo Story based on Van Morrison’s Into The Mystic.
SYMPATHY FOR THE DEVIL by THE ROLLING STONES Story by Sophia Irvine
While I can't remember being read The Very Hungry Caterpillar when I was a child, I do remember Sympathy For The Devil blaring in the car while I was still in a booster seat.
NIGHT MOVES by BOB SEGER Story by Stephen Andrew
My mate Tommy had a licence and a car; the only one in our gang with a birthdate old enough to drive.
1979 by THE SMASHING PUMPKINS Story by Jay Daniel Thompson
At 15, I could throw off the school uniform and fire up the mixtape and be transported to somewhere un-suburban and fun. Until, of course, it was time for dinner. Or Home and Away was about to begin.
SUNDAY GIRL by BLONDIE Story by Victoria Wells
I realised the work that had gone into placing the songs in this order, and that listening on an electronic device with shuffle on, does not allow the connection between the songs.
The David Bowie collection
It's four years since we dug up all our vinyl and went on a Bowie marathon, from Low to Diamond Dogs and stopping by his most recent work, Blackstar.
NO PLACE and INNERBLOOM by RÜFÜS Du Sol Reflection by Ellie Featherston
The euphoria of midnight at a festival is unique in its camaraderie.
SUMMER LOVE by SHERBET Story by Stephen Andrew
Summer Love is a glorious example of perfect power pop. This is what a breaking ocean wave sounds like when represented musically.
CENTRE STAGE Peter Maskell
Tender singing, evocative slide guitar, comedic timing, full-band high-energy: this month's edition of Centre Stage shines the spotlight on the unassuming Peter Maskell.