WHAT I AM by TEX, DON & CHARLIE. Story by Bernhard Sayer.
The song, like him, is drenched in space. The unhurried chords set the scene perfectly. Space.
The song, like him, is drenched in space. The unhurried chords set the scene perfectly. Space.
I’ll blame the sweet caress of the violins.
But I remember watching Sinéad on stage. I remember trying to absorb some of her strength, to physically inhale it across the crowd. That’s how you construct identity, surely?
Dad stands at the bowser. I sit in the passenger seat. The thrum of petrol is like a bassline.
It reminded her of when the conductor moves to the podium and, with a couple of taps, signals the dawn of the main event.
Mary Pomfret writes a lyrical response to the song Fairytale Of New York in the wake of the death of Shane McGowan.
I sent you a goodbye message in the chat you’d set up because, unlike the song, we never really did talk on the telephone.
’ll never forget/the sights/the sounds/the (e)motions/of departing/Mum’s/Service of/Thanksgiving.
Gordon Lightfoot is my teacher of all things Canadian. As I walk the streets of Toronto, his sounds fill my ears.
Gordon Lightfoot is my teacher of all things Canadian. As I walk the streets of Toronto, his sounds fill my ears.