LONG TIME GONE by CROSBY, STILLS, NASH. Tribute by M.B. Donnelly
So, had I ever heard of CSN, he asked? (Wait, what!? Was that a news channel? A law firm?) No, I had not.
So, had I ever heard of CSN, he asked? (Wait, what!? Was that a news channel? A law firm?) No, I had not.
Love at first listen. My anthem. Just the call for sanctuary was enough to provide tranquility on some of those crazy mornings. I wasn’t alone.
Simon’s opener was “America”, first recorded with Art Garfunkel for Bookends in 1968. Now, a half century later, this song had seen Simon progress from youth to old age, from folk rock to wildly creative musical experimentation that spanned the globe.
The burial went quickly. Quicker than planned. The weather turned just before the rosary. A localised storm – affectionately recorded for posterity as Hurricane Maureen – came rolling through.
We write to each other. About writing, mostly. Its place in our lives. Its ups and downs. Its twists and turns.
The former Monkee had played rather grander venues, but he seemed pretty comfortable up there on the graduation stage. I was just a few rows from the front. Stage right, near the guitarist, Al Perkins.
We met for school holiday screenings of La Bamba and Dirty Dancing at the same tech high gym where we painted thick black circles around our eyes and teased our hair until it looked like Jon Bon Jovi’s – ahead of our Rock Eisteddfod pilgrimage to The Royal Melbourne Showgrounds.
After cassettes lost favour I bought Jonathan on CD. And Jonathan on vinyl. In Spanish, Italian, French and English.
Intention often gets forgotten when it comes to art and all that remains are interpretations. How others remember our insides in music or words or pictures is what survives time.
A short poem about COVID, porridge and a Fiona Apple song.