Unhinged, unwieldy, (apparently) uncoordinated and maybe even unlistenable. Despite or because of this, I pressed on. I'd read somewhere that this was supposed to be An Important Album.
It was a big deal in my heart when my brother responded enthusiastically to my studiously low key suggestion that he and I form a scratch band to play at the St Andrews Festival in 2007.
This song goes off like a nail bomb. It carries, not an earworm, but an ear leech, that latches on and will not be silenced.
About five minutes into the program I heard a slither of music that sent a shiver up my body. It sounded perfect. It touched a nerve of sadness. And also gave rise to joy.
I couldn't escape the crush (in both senses of the word) the first time I heard it. I was dumped, pulled under and dragged disoriented across the sandy sediment of my adolescent existence. See My Baby Jive was excoriating.
With every parting handshake Brendon would tilt his head slightly, lift an eyebrow and advise me to "stick to the shadows".
Music was beginning to assert its life-long hold over me, but it still played a distant second fiddle to being a part of a team of twelve boys dressed in pads, batting gloves and protectors.
This song sounds like Phil Spector has died and is rising to heaven. The track is a religious pop song offering deep gratitude for the divinity that can sometimes find its way into the Top 40. The rest of the album is an abomination.
I’d smuggled in a small cassette player and bootlegged the show. The resulting tape (now long lost) was rarely played. It sounded like a Chuck Berry cover band rehearsing in an aircraft hangar. Which I guess it was.
Stephen Andrew The road from Hurstbridge to St Andrews, summer, 2000 I pulled off the road and spun the wheel of my iPod. I dialled up Cornershop singing Brimful of Asha. Tenzin listened intently and then said, “Play that again, Dad.”